History of the Native Flora Garden - Brooklyn Botanic Garden

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History of the Native Flora Garden

History of the Native Flora Garden

Our Local Natural History

As I stroll through the Native Flora Garden at Brooklyn Botanic Garden and marvel at the beautiful landscape, I sometimes think about the rich histories—cultural and botanical—that are layered underneath. A haven for native plant communities in the heart of a dense metropolis, the Native Flora Garden—which celebrated its centenary in 2011—was not long ago the site of an open grassland dotted with the livestock that supported the nearby communities and settlements. In precolonial times, the scene would have been much different.

Few New Yorkers today can imagine what the metropolitan area looked like prior to European settlement. Mention the New Jersey Meadowlands, for instance, and most folks think mob hits, garbage dumps, industrial parks, and mile upon mile of invasive nonnative Phragmites grass. But the Meadowlands were once the site of an extensive Atlantic white cedar (Chamaecyparis thyoides) swamp, ringed by salt marshes and dotted with freshwater Sphagnum bogs containing sundews (Drosera species), pitcher plants (Sarracenia species), and fringed orchids (Platanthera species). Instead of freeways, housing, and airport runways, pitch pine (Pinus rigida) and oak (Quercus species) forests once surrounded Jamaica Bay, and where JFK International Airport sits, thousands of dragon’s-mouth orchids (Arethusa bulbosa) once grew. One of only a few naturally occurring prairie ecosystems on the east coast of the United States, the Hempstead Plains graced nearly 60,000 acres of what is now suburban Long Island. These are just some of the botanical treasures lost to development and urban expansion, much of it within the last 100 years or so.

In the early 20th century, as advances in transportation and technology boosted urban development, most New Yorkers were oblivious to the environmental destruction going on within and at the fringes of their city. Terms like “habitat loss,” “species extinction,” and “conservation” were not part of the everyday lexicon. However, local botanists and plant lovers recognized the threats faced by native flora. Stuart Gager and Norman Taylor, the first director and curator of plants at BBG, respectively, were among them.

Before Taylor joined BBG in 1910 (the year the Garden opened to the public), he had spent years in the field as a research taxonomist, studying local native plants and classifying their relationships. His interest in local plant communities played an influential part in BBG’s prescient decision, in 1911, to open a garden dedicated to the display, study, and conservation of local New York flora.

Early Layout and Conservation Efforts

Situated in the northwestern corner of Brooklyn Botanic Garden, the Local Flora Section, as it was initially called, was first planted as a wildflower garden and woodland. The design was twofold: Groves of trees and shrubs were installed in the north end with the express purpose of creating genuine woodland conditions through the gradual maturation of the woody plants; at the south end, wildflower beds were laid out in systematic fashion—that is, arranged according to plant family and evolutionary relationships.

Herbaceous plants were displayed in beds so that Taylor could easily conduct classification studies as well as research into flower pollination and seed dispersal. Taylor’s research not only influenced the design but also the plant selection. Plants grown in the garden were from wild-collected sources rather than from nursery stock. This is standard operation in today’s conservation gardens, but in Taylor’s time, few natives were commercially available, so he had no choice but to collect species from the wild and propagate them for use in the garden. In any case, Taylor also recognized that wild-collected plants were better adapted for handling local environmental stresses than commercially produced material.

From the beginning, the Local Flora Section supported plant conservation efforts through seed collection, propagation, and reintroduction. For example, in 1926, resident investigator Ralph Curtiss Benedict wrote in BBG’s Garden Record about ongoing efforts with the rare hart’s tongue fern (Asplenium scolopendrium var. americanum):

“The program for the conservation of native plants endangered by industrial and park expansion, etc., has required a considerable amount of attention. Spore cultures of hart’s tongue fern, started in 1925, were brought along to potting size by early summer of 1926 and, according to plans earlier announced, distribution was made of these young plants for the purpose of naturalization. Plants were sent to 16 different people distributed in 8 different states, with the distinct understanding that the ferns were to be set out under conditions as nearly like their natural habitat as possible and those to whom the plants were sent were asked to keep close watch of them, so as to report the success of this broad demonstration experiment.”

The Garden Record also reveals that many other plants now considered regionally threatened or endangered were being grown in the Local Flora Section, including Corema conradii (Conrad’s crowberry), Helonias bullata (swamp-pink), Schizaea pusilla (curly grass fern), and several species of orchids.

A Pioneering Ecological Design

In the decade following the creation of the Local Flora Section, Taylor became more interested in plant ecology than systematics, focusing his research on plant communities and ecological relationships on Long Island. He once declared that floristic inventories were “as necessary and uninteresting as the telephone directory.” In 1929, plans were announced to redevelop the Local Flora Section, discontinuing the arrangement of herbaceous plants in beds and instead organizing the garden along ecological lines.

Much of the credit for the design of the new garden, completed in 1931, lay with assistant curator of plants Henry Knute Svenson. In the words of Gager, “[Svenson] has worked out a plan for an ecological treatment, so that…not only are the local…trees, shrubs, and herbaceous plants exhibited, but the subject of the relation of plants to their environment is also illustrated.”

In BBG’s 1931 annual report, Svenson called the redesign “an attempt to preserve a bit of country in urban surroundings,” explaining, “The beds, which were the feature of this area, have been entirely obliterated and their place has been taken by habitat areas, each designed to represent some outstanding feature of vegetation to be found within one hundred miles of New York. Little has been done in the region of New York to preserve the unique habitats which are required by many species, and as a consequence some of our most interesting wild plants are doomed so far as growth in the vicinity of a large city is concerned, the chief adverse factors being the cutting of woodlands and the draining of swamps and bogs.”

One of the first ecologically themed native plant gardens of its kind in the U.S., the revamped Local Flora Section highlighted nine plant communities found in the Northeast: serpentine rock, dry meadow, kettle pond, bog, pine barrens, wet meadow and stream, deciduous woodland, limestone ledge, and coniferous forest. Accuracy and authenticity of the display was a major concern for Svenson. He also felt it was important that the garden re-create the atmosphere of a true wilderness. Using wild-collected plants from each of the nine distinct habitats, he developed an exhibit that allowed visitors to have an accurate, immersive encounter with nature without having to leave the city.

The Mature Garden

As the current curator of this garden, I am privileged to continue the efforts set in motion by Taylor, Svenson, and others. The Native Flora Garden, as it’s called today, has an almost magical authenticity as you stroll along its paths, due in large part to its age. The trees planted in the early days have matured into a collection of giants, some towering 100 feet or more over the forest floor. The leaves, seeds, and branches of these trees have contributed to nearly a century of soil formation, creating ideal conditions for shade-loving ferns and wildflowers.

The garden continues to fulfill the three parallel roles intended by its founders and carried forward by subsequent gardeners and curators: display, education, and conservation. The Native Flora Garden is an example of a naturalistic, ecologically based exhibit that allows visitors the experience of a walk in the woods. It also continues to be an important resource for on-site conservation and research. Biodiversity is being lost from our wild areas at a frightening pace, and gardens like the Native Flora Garden provide a crucial resource for propagation, pollination, and dispersal research. Furthermore, the garden serves as a genetic repository and long-term seed bank for threatened species, ensuring their survival in cultivation at the very least.

The Native Flora Garden enjoys a close relationship with the department of Science at BBG, which has been conducting a multiyear study of the flora of New York City and its surrounding environment. Through repeated field trips into the wild areas of the region, BBG botanists have located populations of threatened plants and collected their seeds, which in turn have been propagated and brought into cultivation in the Native Flora Garden. By growing these plants in a garden setting, we can show the public what is being lost and why. We are also using and preserving local genotypes, an important practice not just with endangered plants but with all new introductions into the garden. Locally collected seed-grown natives are adapted to our growing conditions and contain broad genetic diversity, which increases their chances of coping with future challenges, such as climate change.

The last, and perhaps most important, function of the Native Flora Garden is to continue exposing generations of children and adults to the diversity and splendor of New York’s native plant communities. In our increasingly urbanized world, people have fewer and fewer chances to encounter authentic wildness and nature; in New York City, BBG’s native garden is helping many folks, especially kids, make that important connection.

As the Native Flora Garden heads into its second century, a major challenge looms large: The tree canopy has matured, shading out sun-loving plant communities like the pine barrens, the serpentine barrens, and meadows. We simply don’t have the cultural conditions to display these plants well. An expansion project, scheduled to open in 2013, will allow us to breathe new life into the declining exhibits and improve the educational experience for our visitors. Roughly one acre will be dedicated to meadow habitat, using a plant palette derived from the remnant grasslands of Hempstead Plains, on Long Island, and the serpentine barrens of Staten Island. The remaining acre will be used to display pine barrens habitat. A pond and surrounding shore area will feature typical lowland and wetland pine barrens vegetation, while dry sandy areas surrounding the pond will become home to upland plant communities dominated by pitch pine and various oaks. The plant material for this new garden will come entirely from locally collected seeds of wild plants.

The Native Flora Garden has much to teach about plant communities and the environment; the interactions between plants, insects and wildlife; the importance of native plants as they relate to our natural, cultural, and economic heritage; and the vital importance of conservation efforts that support biodiversity. The future of the garden is bright and full of hope. It has been an inspiration for our visitors over the last century and will continue to shine well into the next.

Uli Lorimer is director of Horticulture at Garden In The Woods, in Framingham, Massachussettes. Previously, he was curator of BBG's Native Flora Garden.

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Image, top of page: Antonio M. Rosario